sexomuerteamordolor

2019.

Chelsea Coon

This performance was set in the intimate space of my bed to expose the physical and psychological effects of the pandemic on my body, which had undergone solitary isolation over months of sustained lockdowns. In utilising breath as material, my body held positions that pronounced my vulnerability as an effect of pandemic-time. I addressed the particular strangeness of this time where there has been a significant breakdown of distinctions between the personal, political, private, and public by examining the effects of space on my body through occupying the space of video transmitted as a public livestream. This particular space and time further disorient the interrelated aspects of the elusive, yet universal sensations and events of sex, death, love, and pain—the excessive residues of which are acute.

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sexomuerteamordolor, 2019

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